Edgar Degas
French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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Edgar Degas Laundry Maids oil painting


Laundry Maids
1884-86 29 7/8 x 31 7/8 in. (76 x 81 cm) Musee d'Orsay, Paris
Painting ID::  894
Edgar Degas
Laundry Maids
1884-86 29 7/8 x 31 7/8 in. (76 x 81 cm) Musee d'Orsay, Paris
   
   
     

Edgar Degas A Woman Ironing oil painting


A Woman Ironing
1869
Painting ID::  895
Edgar Degas
A Woman Ironing
1869
   
   
     

Edgar Degas Absinthe Drinker oil painting


Absinthe Drinker
1883
Painting ID::  896
Edgar Degas
Absinthe Drinker
1883
   
   
     

Edgar Degas Sulking oil painting


Sulking
1869-71
Painting ID::  897
Edgar Degas
Sulking
1869-71
   
   
     

Edgar Degas Absinthe Drinker_t oil painting


Absinthe Drinker_t
1875-76 36 1/4 x 26 3/4 in. (92 x 68 cm) Musee d'Orsay, Paris
Painting ID::  898
Edgar Degas
Absinthe Drinker_t
1875-76 36 1/4 x 26 3/4 in. (92 x 68 cm) Musee d'Orsay, Paris
   
   
     

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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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